21 January 2017

2016 - In retrospect

Time for a summary of the past year. Initially I'll warn you. This entry will be littered with Bad Excuses. When I look back at the past year, I feel a little embarrassed. I havn't done as much as I could have, I feel. Well, maybe I feel like this because the past year was mostly planing, planing and planing. I spent most of my time planing big things for my future, but I didn't get to start any of them yet. Well, you'll get more explanations in the text below.

For you who don't prefere to read, I made this into a video as well, so that you can listen instead.

Milestones of 2016:

What the heck did I do in January?? I usually make these yearly reports based on my blog entries, but as I have been less and less active here on the blog, I have NO entries from January! Instead, I have turned especially to Instagram to promote my everyday life as a mangaka. According to my Instagram uploads, I worked on my manga When I Close My Eyes to Nosebleed Studio's 10 Years Jubilee Anthology all through January and finished the inking by the end of the month.

At the same time I worked two days every week at Serieskolan (the Comic Art School), my day job so to say. I now have a routine, working monday and tuesday at the school and the rest of the week wth my comics. This is my Bad Excuse no. 1, for not making so many comics this year. I love my job at the school, and feel blessed to work there, but it also takes a lot of my focus, time and energy.

In January, I also did some animation. Sadly, that's pretty much where I stopped (except for some few hours in April), mostly because of lack of time. Bad Excuse no. 2. (wow, this is going fast..!)

I visited NärCon Vinter 12-14th of February with Nosebleed Studio and sold our books. Sword Princess Amaltea volume 3 sold out on Saturday, my usual mistake to bring to few books. I made a report here at the blog with some complaints about how the panel I held was treated by the organizers.

I was also invited to talk in Swedish national radio about how manga came to Sweden, as some kind of expert since I work at the Comic Art School and am one of the few Swedish mangakas published. You can listen to it here (In Swedish):

Sveriges Radio - PP3 | Så blev mangan stor i Sverige

I also worked at the school, while screen toneing my manga When I Close My Eyes, organizing events with Svenska Tecknare Syd (Swedish union for illustrators and comic artists) and planing for the next Malmö Seriefest, a local comic convention I am the founder and one of the organizers of. These are not excuses! I want to put my time and focus on not only helping myself but also others in showing their works to the world, so these commitments are important to me.

In March, most of my time went to three things; working at the school, making the next anthology with Nosebleed Studio and planning for the upcoming Malmö Seriefest in April.

This month was also a heavy month when it comes to events:

5th of March: SciFi-mässan in Malmö, Sweden
18th-20th of March: J-popCon in Copenhagen, Denmark
 25th-28th of March: GothCon in Gothenburg, Sweden
They where all in different forms: I signed Sword Princess Amaltea in the booth of the publisher Apart at the SciFi fair, since the CO of the company Johan Kimrin is a friend of mine. At J-popCon, I was selling with Nosebleed Studio and holding a lecutre. At GothCon I was sellign on my own, since Nosebleed Studio didn't go there. GothCon is for fantasy and table top gaming so I wanted to focus on my fantasy manga Sword Princess Amaltea, and sold pretty well.

It was at GothCon I met Daniel at Saga Games, the key person to my next project. We started talking about my manga and Daniel proposed we do a RPG book together in the world of Sword Princess Amaltea. I was of course super interested!!

I was also in the media spotlight this month: first interviewed by My Bergström, a friend of mine, for the librarians magazine Biblioteket i Fokus, about my work as a manga artist and my works, and then I was featured at the Swedish national television show Superlördag for kids. The latter practically made me famous among all the 8-10-year olds I met the following months, haha. I talked about drawing manga and drew a little portrait of the show host Tobbe, a well-known Swedish magician.

Finally time for Malmö Seriefest, which I am part of the organizers of. It took place on the 2-3 of April at the Malmö City library. The video below shows a part of it. All in all we had about 700 participants in 2 days, which is an increase since 2015 when about 500 showed up. Success!!

The rest of the month was for some much needed artist rest, mostly focusing on work with Nosebleed Studio, the Comic Art School and holding several manga workshops at schools and libraries.

I also got some time to go shopping some new clothes for me; Morikei. Morikei is a Japanese fashion style and it means "forrest type" or "forrest style". It's often layered outfits with cozy cardigans and long skirts, colorcoded and preferably in a more muted or sober colors like dark purple, moss green or grey tones. I just tried it and found it very comfortable, escpecially in cold Sweden where layered styles and cardigans fit right in!

A photo posted by Natalia Batista, mangaka (@nataliasmanga) on

So, after some months of hard work, finally we had out new book, and sold it at Stockholm International Comic Festival on 7-8th of May. As 2016 is Nosebleed Studio's 10th year together (Yup! That's a looong time!), our book was dedicated to all these years together with the theme of 'friendship'. This is the magnificent result:

I also made a blog entry about my manga in the book, When I Close My Eyes, a 40-page short story manga about a young traveller in need of friendship.

With this new book, we also travelled to Confusion in Gothenburg on the 13-15th of May, the biggest manga convention on the west coast of Sweden. We love coming back to this event, it's one of our fav events of the year!

I also got to make a very cool thing at the nerdy book store SF-bokhandeln's new store: a painted pilar! (Yup, I painted it all myself! Took like 40 hours or something...)

This was seriously so honoring, to get to have Amaltea
with her sword raised standing in the middle of the store, 
greeting the customers when they enter through the sliding doors. 
I will be proud of this forever and ever and ever and...
Back side of the pilar, with Prince Ossian and a dragon!

At this time, I was planing my next big projects, and therefore took a trip to Stockholm to meet my editor Fabian at Raben & Sjögren, a Swedish childrens book publisher. We plan to make a children's comic book together, a new story about my mermaid character Minna from my previous manga Hooked On You. So exciting! And my plan is to make it all in water colors...

In Stockholm, I also met up with Tomas at Saga Games, the writer with whom I will be making the RPG-book about Amaltea's world. This is also a super exciting project! How many manga artists can say their manga has been turned into a playable RPG?! Not many! And soon I'm one of them!

Cover for the PRG-book, planed to be released
in Swedish in the Spring of 2017.
In the middle of the month, I was invited by my friend Daniele Rudoni to do a livestream as part of Indieversus "Meet the artist"-event. Other great artists like JP Ahonen and Sam Chapman has been featured on their livestream webinar, so I felt very honored to get to be part of this! Basically I was drawing a digital painting and replying to questions for 2-3 hours, and it is all online for you to watch, in English, at their site. Go check it out and also see what other events they'll have!

I started the month with turning 30! Yay, now I'm officially "an old lady", haha. Just kidding.

In July, most of my time went to drawing storyboards for my Mermaid Minna water color manga for Raben & Sjögren, while writing down lore about the world in Sword Princess Amaltea, for the RPG book. Writing is actually kinda fun. I wouldn't mind writing a book one day. You know, one of those without pictures in it... Ok, maybe some pictures. I can't help myself, haha.

During all this, I also had two week-long manga courses at two different cultural houses. It was so much fun to get to teach young kids for more than a short 2 hours event. The week-long courses let's you get to know each other, and we even got time to make a fanzine together. They were so diligent and productive!

Oh, and I sew pen cases with Amaltea on! All by hand!

I wanted some new merch for the upcoming NärCon Summer in Linköping on the 28-31st of July
This is the biggest manga convention in Sweden with about 8000 visitors, and one of our regular events of the year. We held a well attended manga drawing workshop (all seats were full!) and finihed it off by announcing out next project; a "How to draw manga"-book in Swedish. It was 10 years since there last was such a book being printed in Swedish, and we also want to make ours fresh and new and more body and gender positive. We asked the participants what they wished to have in the book and got some great tips.

We also held our super popular event "Free Chibi Portrait" and I got to make a couple of cute portraits of coplayers!

A photo posted by Natalia Batista, mangaka (@nataliasmanga) on

In August, I finally made another video for my youtube channel. I seriously need to give it more time, since it is actually the one of my social media accounts that has the most followers, haha...
I'll try! I promise!

I made a little mini project for a card game developer I met at GothCon in April, some illustrations for his pitch of the game to a bigger developer. We'll see if it pans out to something, would be cool to get to make illustrations for card and board games one day, since I'm a total board game nerd, haha.

Except for that, and some illustrations for the RPG-book, most of my summer went for resting, and resting... and well, more resting, of what I gan recall. So you know, all that about "not enough time" is truly Bad Excuses. Haha...

Oh, right! Summer vacation was over at the Comic Art School, so I went back to work.

So I went on vacation! To my father's new (and old) home: Portugal. He moved to Sweden when he was only 25 y o or so, and now that he's 67 and finally retired, he's moving back. So I helped him go look at surely over 10 different houses in pursuit of The Right One. And in the end, after some looking, we found it! Sadly, he changed his mind when I had returned home, but he's happy with the new one he chose and that's all that counts.

At home again I trvelled to the biggest book fair in all of the Nordic countries; the Gotheburg Book Fair on the 22th-25th of September. There I not only signed countless of Amaltea books, but also took the stage a couple of times at the booth of the Swedish Comic's Assocciation (Seriefrämjandet). One of the  times was to interview the Brazilian comic artist Bianca Pinheiro, invited by the Brazilian Embassy. Such a fun and nice person she is! I found a new friend in her and after the intevew we had time to go around and talk about the comic markets and politics and all kinds of stuff. I'm so glad I got the honorable task to interview her!

No, it's Inktober! I repeated last year's popular event by making a small inked illustration ever day on my instagram and give it away to the first comment on the pic. A really fun event with several of my follower keeping a close eye on my account all days long, haha. I'm so sorry for making your eyes hurt, my friends!

This one was one of my favs, which I also made a youtube video of while making it:

In the end of October and beginning of November, I went with my boyfriend Emil to Italy for the first time in my life, and this was no ordinary vacation. We went to the famous Lucca Comics & Games in Lucca, Italy, on the 28th of October to the 1st of November, the biggest popcultural event in all of Europe, I think, with over 250 000 visitors!

I had wanted to go there for some time now, especially because I have gained so many Italian online friend thanks to the publishing of my Sword Princess Amaltea in the Italian manga web magazine Doraetos Manga (since 2014). I got to meet many of them, and talk about both work, life, tools, the future of manga and all kinds of interesting stuff. I made a loooong report from the festival itself here at the blog, so you can go check it out so see more photos from this amazing event. 

I feel every time I go on an international trip to an event like this, I get an extrem boost of energy to make more comics, and after a very tired and somewhat depressing Spring and Summer with my manga page count on an all time low, I felt this trip really made me re-focus and gain some energy back!

Both November and December mostly went to working on Nosebleed Studio's "How to draw manga"-book. This will be a really good one, we feel, since we once were in the shoes of our potential readers and now can make the "how to"-book of our dreams, with all that which we wished for as young aspiring artists.
Here's a couple of the illustrations I've made for the book:

Also some planning of my short story manga for our next antology. It will be out in Summer of 2017 (we pushed it a little to get enough time to make it good!) and will have the theme of Swedish history. I'm planing on taking on a very interesting part of this country's history, namely the Emigration century in the 1800s. I have put maybe 40-50 hours of reseach into this story, probably the most research I've ever done for a short story manga, but I really want to make it authentic and real. I'll make a longer blog entry about it soon, and also start updating my instagram with pics from it. So don't forget to follow my instagram to see sneak peeks from the process.

All throught the year, I also kept publishing my manga Sword Princess Amaltea online at it's own homepage. Once a week with only a few delays or missed weeks. But I don't know how many reads it, and how well it is spreading... I wanted to track how many visits the site, and preferably have some advertisement on it, but right when I made the site EU changed the laws and now all homepages who wants to track the user's activity (which Google Ads and other advertisement sites wants to do if you use them) then you have to ask for permission from the user first. That's why we see this annoying bar on top of every site nowadays. Good for privacy, though! But because of lack of time and effort, I havn't managed to make it work on my site. Bad excuse no. 3.  

Well, that was pretty much all of my 2016. A year of... planning? Yes. A lot of planning. Sketching storyboards, researching, writing and so on... This might sound like another Bad Excuse, but I hope you understand. Some years have to be like this. But if everything goes according to keikaku (keikaku = plan in Japanese) I will have not one, not two, not three but FOUR books out next year! Nosebleed Studio's "How to"-book and the Sword Princess RPG-book in the Spring, while the Mermaid Minna book and Nosebleed Studio's Swedish History Anthology in the Fall. That will be epic! I look forward to holding them all in my hands, cradeling them like small babies... lol

Okay, so even if this year was a Bad Excuse year, with lot of resting and not as much manga making as I'm used to, the whole year still feels like a small step forward. Or a big one, in some ways. I need to be proud, and I think I am. 

Thank you so much for reading!

16 December 2016

Recensioner, recensioner, recensioner....

Detta kommer kanske bli ett lite bittert inlägg, men what-the-heck, nu kör vi!

Så, vi har fått några recensioner på Nosebleed Studio's 10 Years Jubilee Anthology sedan den kom ut i våras. Med vanan inne tänkte jag "recensera" recensionerna, haha...

Vi startar starkt med en ganska gedigen recension av Johannes Genberg på DAST Magazine:

DAST Magazine | Nosebleed Studio's 10 Years Jubilee Anthology

Trots den klichéartade inledningen om "storögd stil" och "finns svensk manga?" (som visserligen är ett långt intro för att sedan framhäva hur svenska våra berättelser är) så är det en rätt okej recension. Kan ju inte säga att jag inte blev ganska nöjd med de fina orden Johannes skriver min egen serie:

"Natalia Batistas (bilden th) When I close my eyes förtjänar ett hedersomnämnande för sitt enormt välgjorda berättarflöde och genomtänkta bildspråk. Efter att ha läst hennes feministiska storverk Sword Princess Amalthea så var det intressant att få betrakta något väldigt annorlunda: en helt opolitisk och jättesorglig kort historia.

Manga i allmänhet är ett känslomässigt uttrycksfullt medium men det har här gett vika för mer realistiska och dova känslouttryck. De tre sista sidorna är så känslostarka utan att ens visa huvudpersonens ansikte. Amalthea kanske fick mig att tänka, men When I close my eyes fick mig att känna."
- Johannes Genberg, DAST Magazine

Tack för de fina orden, Johannes! Riktigt helt opolitisk tror jag inte den var. Jag valde t.ex. inte att köna huvudkaraktären Lo, väldigt medvetet. Tyvärr är det ett politiskt statement i sig, i dagens samhälle, något inte alla klarar av att förstå som ni kan se i de andra recensionerna...

Över till nästa recension, från BTJ. Kort utdrag ur den:

"Nosebleed Studio är ett kollektiv av unga svenska mangatecknare med anknytning till Malmö Serieskola. Nu har de jobbat tillsammans i tio år och firar detta genom en antologi på temat vänskap. Antologin innehåller fem historier, som alla handlar om hur viktig vänskap är och hur grymt det är att bli lämnad utanför gemenskapen. (...) Den näst sista historien behandlar dels en flicka som vaknar upp i nya världar varje morgon, och får hjälp av nyfunna vänner medan den sista är en djurhistoria, där den lilla kattflickan är den enda som inte blir bjuden på klasskamratens födelsedag. Teckningarna är mycket proffsiga med typiska mangakaraktärer och historierna är antingen poetiska och lite mystiska eller lätta att identifiera sig med. All text är på engelska med många talspråksinslag som wanna, gonna och nah. Helhetsbetyg: 3."
– Svante Ors., BTJ-häfte 5 2016
Hngh... Recensenten valde att FELköna min karaktär. Lo är inte en flicka. Lo är inte heller en pojke. Visst, detta var lite ett "test" för att se hur många som skulle tolka Lo som endera, och Svante lyckades tolka in mer än jag gav information till. Men det är fortfarande störigt att alla som läser Svantes recension nu kommer ha bilden av Lo som en tjej. Suck...

Sen förstår jag inte riktigt helhetsbetyget. Det var en intetsägande recension som mest drog fram fakta och inte riktigt förklarar varför den fick ett så mediokert betyg. Hm...

Sedan har vi en väldigt kort video-recension av Bokpotaten:

Bokpotaten | Kvicka recensioner

Jag förstår att Elen får många böcker sända till sig och kanske inte hinner gå igenom alla så noggrant, men jag ifrågasätter lite poängen med en 30-sekunders recension. En recension ska i min mening ha två funktioner:
1) Ett sätt för en köpare/läsare för att få en bild av verket och se om den är värd pengarna/tiden.
2) En chans för skaparen/förlaget att få konstruktiv feedback som gör att de kan skapa bättre böcker i framtiden.

30 sekunder är inte ens tid nog för att säga vad vissa böcker handlar om, speciellt inte en antologi som vår bok. Och det blir som ni kan se väldigt knasigt när Elen dömer ut hela vår bok baserat på en av serierna i boken. Hm... Vi i Nosebleed Studio får fundera på om det ens är lönt att skicka ett exemplar till någon som inte vill göra en ordentlig utvärdering av boken. Vi kräver inte en avhandling om varje serie, men åtminstone ett par meningar.

Sist men inte minst gav en av mina italienska vänner oss en recension på Goodreads:

Goodreads | Booty from Lucca 2016!

Åh, inte kan ni anklaga min vän för att vara partisk precis, haha! Detta var en hård recension. Jag är lite ledsen att min story inte föll i smaken, men jag anser också att inte alla berättelser passar alla personer. Men en 2:a i betyg är hårt att ta...

Jag är i ärlighetens namn lite chockad... Jag tycker personligen att detta var några av våra bästa berättelser hittills! Mer mogna, mångbottnade och varierade... Det kan vara så att alla förväntade sig "MANGA" och när de inte fick storögda skolflickor eller sexiga bishies så blev de besvikna.

Men det ska inte avstyra oss från att producera bra och varierade historier och utmana oss själva, även om vi skulle vara "för tidigt ute" med en del av dem. Våra fansen måste lära sig att vi inte pysslar med klichéer och kopierade stilar. Vi gör vår egen manga!

Bilda dig din egen uppfattning av vår antologi genom att köpa den från vår hemsida, som just nu har julrea på boken fram till och med nyår!

Nosebleed Studio's 10 Years Jubilee Anthology X-mas Sale!

Beställ den senast på måndag så kan den komma till dig innan julhelgen!

25 November 2016

Report fron Lucca Comics & Games

Hey everyone!

Sorry for the long delay... No updates here for a while. Well, it's not because I've been slacking off! Well, ok, maybe just a little. Those four books I was to make... so, it turned out differently. Because of external decisions made beyond my power, two of them are postponed to next year:

Sword Princess, the RPG book in the world of Amaltea, was supposed to be released before X-mas this year, but as I kinda suspected it would not happend. Which is not a bad thing! The co-author I have on this book , Tomas at Swedish RPG games publisher Saga Games, really want this RPG to become as awesome as it can be, so he's taking his time with the writing. I'm so happy for that! The new release is planned for April 2017!

Mermaid Minna, the watercolor comic I was to make with Swedish publisher Rabén & Sjögren, will be released in Fall of 2017 instead of Spring that year. This lets me have more time to think over the story and perfect it, and not rush the artwork either! So it was a much needed time bonus.

Since September, I have had a lot of other things on my mind instead. Some of them are more personal, and I wish to keep them to my self for a little while longer but hope to make them official in a not so distant future, depending on... erh... things.
But I also had a crazy vacation/work trip (aren't all my vactions work related somehow? Hm...) to Italy in the end of October!

Me and Emil went to Pisa!

Or rather, we went to Lucca Comics & Games in Lucca, right next to Pisa, but stayed at a nice hotel in Pisa, which ment this famous crazy building was on our daily path to the train station to and from Lucca.

Lucca Comics & Games is the biggest comics and games related festival in all of Europe, if you count size and amout of visitors (over 270 000!!). The whole city center, surrounded by a high medievial wall, is turned into a popcultural festival for all ages, like a huge fortress for the nerds! 
The beautiful mix of old historical buildings and cosplayers, elaborate architecture and big rollups with popular characters was like stepping into paradise for someone like me.

In San Michele Square, Fox Entertainment had a huge tent and this magestic tree was a promo for one of the upcoming movies.

Tents filled with comics next to old chapels, churches and impressive towers. The Panini tent contained comics by the most prominent comic publisher in the country, Panini Comics. Italy is actually the fourth biggest comics market in the world, behind Japan, France and the US.
Apparently we got very lucky with the weather, everybody we talked to said it usually rains during Lucca Comics, but this year all days was 20-25°C = ice cream weather! And the Italians sure knows how to make ice cream!! Yum!🍨

Both big and small have their place at Lucca Comics! One of the smaller churches in the city contained the "Self Area", a market for the independent and smaller artist collectives and projects, much like a much fancier Artist Alley.

Inside the church, the jaw-dropping ceiling and walls in combination with the like wise jaw-dropping talent of the artists made me almost faint!!

Thanks to my helpful and amazing friend Davide Della Via, former editor and artist at Doraetos Manga where my Sword Princess Amaltea is published in Italian, I got to meet some really great people. Among others, he introduced me to Jessica Marino, the creator of Antithesis, a selfpublished comic who won prizes in the Italian Indie Comic Award, IICA, this year. Such impressive, much wow!

More super talented artists, and super friendly too! Giulio Macaione, Giulia Adragna and Elena (Ofride) whom all sold their selfpublished comics in the "Self Area". I had to buy one of each!

Beautiful and inspiring watercolor artwork by Ofride.

Other smart and cool self press designs: fanzines in a book box!

In another area close to the "Self Area" was the "Meet the editors"-building. This is something I also wrote about in my report from Angoulême 2015, a thing we don't have in Sweden but that I really think would be beneficial to both the artists and the publishers. In Lucca, they did things a bit different than in Angoulême. Instead of having to queue for hours, the artists could submit their portfolio (a set number of pages depending on which publisher) before a certain time, and was assigned a number each. After the editors had reviewed the submissions, they chose which artists to book a meeting with and posted the list with their numbers on the wall you see next to the door. The big group of people in front of the door is aspiring artists, waiting for the list to be put up and hoping their number will be on that list. Oh, the tension!

This is from inside one of the big comic tents. Booths of publishers or specific famous artist in labyrith-like formations!

Just like in Angoulême, the tents are raised over actual city squares, which means you see statues and street lights inside, haha. And SO much people. Everywhere!

This is inside the Games tent, right outside the city gates. It was too huge to fit in any square inside, lol.

One of the booths in the Games tent was solely dedicated to a live artist studio, where super talented and famous fantasy artists could work on a piece of artwork for hours, in front of the visitors. Such a cool idea, but it must also be stressfull for the poor artists. You got to have nerves of steel!

All over Lucca city center, the shops had rented out their space to merchandise pop-up stores, with anime figurines, action figures, t-shirts and comic related memorabilia. This was truly like stepping into my fantasy dream city, haha!

In the corner of the North-East part of town, inside the city wall, was this cool alternative festival called Borda! Fest. The tables was less expensive and thus gave a chance to artists and collectives who would not normally have a chance to sell at Lucca Comics. Such a nice initiative!

Litteraly the whole city center was affected by the festival. This is the table covers of one of the pizzerias next to the comic tents, a collaboration with one of the publishers.
Oh, and the pizzas~ One of the pleasures with this festival sure is the fantastic food of Italy, I love it!

Cosplayers, re-enacters, alternative fashionistas and steam-punkers all moxed well at the festival, and these unpaid dressed up visitors became part of the attraction, getting stopped and let people photograph them every second meter.

While enjoying another ice cream, we stumbled upon a Steam Punk meet-up at one of the squares.
As part of the festival, several of the buildings was turned into exhibition halls. The main festival exhibition featured some of the invited artists of the festival. One of the artists was Kamimura from Japan. His beautiful brush strokes was so inspiring!

One of the national artists was Zerocalcare, a phenomenon by himself as you can see. Next to his exhibited artwork, mostly from his books but also some from his webcomic that gave him his break-though, hangs this board with statistics on his works. He has made 7 books, which each has sold 70 000 - 90 000 copies (!!) and the longes signing session he has had was over 13 hours (!!!). Phew!

The other Italian artsit is Casty, a immensely popular Mickey Mouse artist. Mickey Mouse, or Topolino as he is called in Italy, is actually home made in Italy, by and for the Italian market, with consent by Disney.

A Frank Cho exhibition, as he was one of the innvited artists.

Also Joan Cornellà from Spain, who's become famous for his morbid humour. His exhibition was behind a black curtain, for several reasons...

Last but not least, Zerocalcare's punky illustration for this year's festival, hung in a grandious golden frame.

And this is some of the books I managed to carry back home with me:

Anima by Chiara Zuliani
Lumina by Emanuele Tenderini and Linda Cavallini
Samurai 2.0 (artbook anthology) 
Hadez by Ilaria Catalani and Silvia Tidei
Antithesis by Jessica Marino
Grimoire (anthology)
Nilihue by Ofride

Agenzia Alfa by Massimo Dall'Oglio
Miss Hall 1 by Giulia Adragna
La Fine Dell'Estate by Giulio Macaione
Rock 'n' Punch Riders by Daniele Rudioni
Rogheneach 1 by Myriam Savini
Ale & Cucca 1 by Elisabetta Cifone
Somnia 3 by Liza E. Anzen and Federica Di Meo
Martin Mystère
Il Rompicapo Del Contadino by Sam Alden
Romabot by Fabrizio De Fabritiis and Daniele Rudoni
The Story Of Naja by Davide Della Via
Nine Stones by Iayafly

I was so impressed by what the italian comic market has to offer. This marked is seriously underestimated in Sweden, in my opinion, and especially when it comes to the younger newer artists. I would love to have some of them in Swedish one day, and will happily show the copies I have to editors in Sweden if any of them are reading this.

After the trip to Lucca, Emil and I went to Novara and Milan with Daniele Rudioni, who is one of the teachers in comic art at the school ACME di Novara and Milan. I held two lectures, one in each city, about my comics, my tools (inking) and the Swedish comic marked in general. They where both well attended with about 20-60 at each event. So fun!

All in all, this trip was just like my previous trips to NY, Angoulême, Tokyo (etc.) very inspiring and helpful for me in my career and creativity. I totally recommend all you artists out there to regularly go to a big International event outside of your own market, because it makes you understand the global comic market so much better. It's also a wonderful opportunity to network with people that do what you do but in another country. I'm so glad I got to meet and hang out with so many nice, helpful, inviting and friendly people. HUGE thank you to Daniele Rudioni, Davide Della Via, Salvatore Pascarella, Federica Di Meo, Dilly and everyone else that I got to meet and hang out with at Lucca and in Novara. Thank YOU!!

✿ Thank you for reading! ✿